Wednesday, February 20, 2019

Medieval Port of London Conference 18th May 2019

Conference on the Medieval Port of Londo.



http://www.docklandshistorygroup.org.uk/page38.html

Labels: archaeology, london, medieval

posted by Kevin Flude at 2:18 pm 0 comments

Monday, February 18, 2019

Russell Hotel - Titanic Dining Room

I have wanted to go in and look at the Russell Hotel since I first discovered that Charles Fitzroy Doll, who designed the hotel in 1898, also designed the Titanic's Ballroom.

The exterior of the Hotel is covered in Doulton's 'The au Lait' terracotta tiles, and the interior is covered with amazing limestone cladding.

The claddings are described in this pdf.  https://www.ucl.ac.uk/~ucfbrxs/Homepage/walks/RussellHotelFoyer.pdf

On the second floor is a dragon - called Lucky George as his pair sank with the Titanic.

Labels: 20th Century, london 20th Century

posted by Kevin Flude at 2:24 pm 0 comments

Bermuda National Gallery

Having gone to the Bermuda National Library { about the size of a village library  about to be closed down } I had no great expectations for the National Gallery.  Its position above the City Hall confirmed my pessimism but once entering the Gallery my spirits lifted as it is a lovely space over two stories with surprisingly interesting exhibitions.

The star was an exhibition on Shepherd Fairey - rebel with a cause.  His punk, Russian Constructivism, Barbara Kruger, street art inspired exhibition showed a clear understanding of how to make an impact in public places. The video with the artist is as inspiring as it is informative.  Placing something in unusual places creates something memorable - maybe its obvious but combined with his flair for promotion it shows how he is able to provoke a reaction.  Like Banksy he has the eye for combining something striking with something meaningful.  So he puts a portrait of a typical american couple surrouded by art work from the Dollar, and the couple are cuddling a bomb.  Point simply made..

http://bernews.com/2017/08/bng-announces-new-exhibition-on-sept-21/

Another gallery is reserved for paintings of Bermuda of which one or two make a real impact. Upstairs and on the stairs are a series of modern art works which run the range of modern conceptual art - from the messy pieces of LookAtMe isms mascarading as pyschogeography to pieces that remind us that Marcel Descamps said it definitively and what is the point of saying it again?  But there are also one or two pieces that show that some modern artists are finding a confident voice which suggests a future for art beyond the conceptual.   

posted by Kevin Flude at 2:21 pm 0 comments

Vincent Van Gogh in London

Excellent article by Iain Sinclair in Tate Etc Issie 45 Middle.

His first house in London is unknown, and then he moved to 87 Hackford St, which reduced his commute to his job at Southampton Street, Covent Garden to about 45 minutes. He walked via Westminster Bridge.  While in London he visited cultural venues with his Sister, Anna, such as St Pauls Dulwich Picture Gallery, and Hampton Court.  He collected unpaid school fees in Whitechapel.

He  moved to Isleworth, and heard a sermon in Kew Road Methodist Church.

He did a sketch of Austin Friars, and copied Dore image of Prisoners Excercising in Newgate.

https://www.ebay.co.uk/itm/Prisoners-Exercising-Vincent-Van-Gogh-Art-Print-Poster-1890-Painting-/222940928857

We know something of his reading - the Arlesienne of 1890 
  • L'Arlésienne, Kröller-Müller Museum, Otterlo
shows him reading Uncle Tom's Cabin and Christmas Stories by Dickens. He also read 'Our Mutual Friend.'


Labels: art history, Charles Dickens, Victorian

posted by Kevin Flude at 1:05 pm 0 comments

Sunday, February 17, 2019

The third City of London Ward Walk - Castle Baynard

The Castle Baynard Ward Walk

We began with an introduction to the City of London and its 'democratic' (not) system.  Castle Baynard has an ex Lord Mayor as its Alderman (but that must be true of at least 50% of them).  He is public school educated but not Oxbridge and is a Tax expert who began with Arthur Anderson.

We discussed the weird change in the area of the Ward in the reforms of 2003.  It was roughly from St Paul's south to the River until 2003 when they added an enormous (more than doubled the size of the ward) area outside the Wall in the Fleet Street area.  It is almost cut in half by an inroad of Farringdon Within Ward.  The shape is called the Tuning Fork. The explanation I don't know but the reform must have been based on equalising the wards in terms of 'population' or 'electors' or amenities and facilities.

This is my sketch map.  The yellow is the new boundary, the blue/green is the historic one. You will see that Queenhithe has taken a bite out of the East boundary - if you look there is a sort of nose just under St Pauls, that is the St Pauls Tourist Information Kiosk which Queenhithe must have particularly wanted or needed?

The Ward also lost that 'arm' pointing up which is essentially Warwick Lane.  The major addition is the old printing area west of Farringdon Street and East of Temple Gardens, and the area north of Fleet Street and East of Fetter Lane.  It seems to me that they have shunted together 2 disparate areas with completely different histories.

The Walk turned out to be about:

St Pauls, and environs.

The War of The Roses as the College of Arms used to be Derby House which was where Lord Stanley (King of Mann and created Earl of Derby)  and Margaret Beaufort (mother of Henry VII)  lived. They stitched up Richard III at Bosworth Field.  Edward IV was proclaimed King at Baynards Castle  (as was Edward IV; Lady Jane Grey and Queen Mary). Buckingham suggested Richard III should become King here too.  Warwick lived in the area, as did Clarence (Le Erber).  There were various War of the Roses events at St Pauls although the most interesting was the 'Love Day' Procession where Henry VI hoped for an outbreak of love and peace by promoting a walk from Westminster to St Pauls. the Duke of York (Richard and Edward's dad) walking alongside Henry VI's wife (Margaret).   It had about as much chance of working as solving Brexit by getting Corbyn and May to hold hands on a similar walk.  I think they would have liked each other almost as much.

Shakespeare - the Carter Lane letter; print shop at the Sign of the White Greyhound,  Coat of Arms at College of Arms; Blackfriars Theatre and the Seven Ages of Man Statue at the Brutalist Baynard  House.

The statue shown above by Richard Kindersley was for me a highlight. I have pointed this out on many coach tours but only went up to see it again a couple of months ago.  It was therefore nice to read from Jacques speech in 'As You Like It.'

Telecoms. Opposite the HQ of BT is the Faraday Building which turns out to be London's first Telephone Exchange and then the World's first International Telephone exchange.

We had drinks in the Blackfriars and the Cheshire Cheese. The former being perhaps the most spectacular pub interior in London, and the latter the most historic?

I had to deal with the waterfront too briefly but was very excited in my research to come across a reference to Chaucer's Shipman. I am seeking to find out if I am the first person to notice this connection. (I doubt it!). Medieval waterfront shown to left.



We finished off with a quick trip through, Bridewell Palace, St Brides, Hogarth and Hanging Sword Alley and the Daily Express Building.

Fabulous Walk it turns out.








Labels: archaeology, literary tourism, medieval, shakespeare, war of the roses

posted by Kevin Flude at 4:38 pm 0 comments

Friday, February 15, 2019

Castle Baynard Ward Guided Walk

First time I've had time to post about a walk for a long time.  But tomorrow I am doing a pub walk which explores, in depth, a small part of the City of London.

I am looking at Castle Baynard Ward which is south of St Pauls and west across the Fleet river into Fleet Street.

Do feel free to come along.
 

Castle Baynard Ward 7.15 St Pauls Tube Exit 2
 
 

Labels: guided walks, london, narrative environments

posted by Kevin Flude at 9:54 pm 0 comments

Waterloo to be re-fought at the Kelvin Gallery Glasgow.


This looks like being an amazing event! I think you need to be a war gamer top attend sadly. Taking place in Glasgow June 2019

http://www.waterlooreplayed.com/about.html

Labels: 19th Century, museums

posted by Kevin Flude at 12:16 pm 0 comments

Thursday, February 14, 2019

Need Money? Remortgage your museum?

It has just been announced that Glasgow is to remortgage museums to pay for equal pay settlements.

This is a big surprise and I am surprised that not much seems to be made of it. It can't be a good idea can it?


https://www.museumsassociation.org/museums-journal/news/12022019-riverside-museum-glasgow-remortgaged?utm_campaign=1413726_14022019&utm_medium=email&utm_source=Museums%20Association&dm_i=2VBX,UAU6,27LVJK,34UZU,1


Labels: museums

posted by Kevin Flude at 11:16 am 0 comments

Have you a definition of the modern Museum? ICOM wants one.

New definition of the Museum called for by ICOM.

https://www.museumsassociation.org/museums-journal/news/11022019-icom-seeks-proposals-new-museum-definition?utm_campaign=1413726_14022019&utm_medium=email&utm_source=Museums%20Association&dm_i=2VBX,UAU6,27LVJK,34UZU,1


The current definition is: “A museum is a non-profit, permanent institution in the service of society and its development, open to the public, which acquires, conserves, researches, communicates and exhibits the tangible and intangible heritage of humanity and its environment for the purposes of education, study and enjoyment.”

The MA definition is (1998)  'Museums enable people to explore collections for inspiration, learning and enjoyment. They are institutions that collect, safeguard and make accessible artefacts and specimens, which they hold in trust for society.'





Labels: museums

posted by Kevin Flude at 11:00 am 0 comments

Wednesday, February 13, 2019

The Latest About the Man with the Boots in the Thames

No one has yet suggested he was on his way to a fetish club, but it seems he was a fisher man who died in his 16th Century Waders.

His teeth suggest he used them to control fishing lines or nets, and his bones suggests a physically stressful occupation. He was not buried but probably lost in the river and under 35 years old.


https://molaheadland.com/the-medieval-mystery-of-the-booted-man-in-the-mud/?mc_cid=45165f23d6&mc_eid=c123dc770c

Labels: archaeology, london, medieval

posted by Kevin Flude at 12:03 pm 0 comments

Saturday, February 09, 2019

Triforium project at Westminster Abbey

The CBA organised a visit to the Queen's Diamond Jubilee Galleries at Westminster Abbey.  This 13th Century space has been cleared up and has been turned into a gallery with amazing views down onto the Abbey - particularly great to see the Cosmarti floor from on high.

Here is their video

https://www.youtube.com/watch?v=DPYi45hZ-uE


We heard about excavations just by Henry VII's gallery in what was called Poets Corner Yard. Here they found archaeological sequences which included

Dump levels containing prehistoric finds and Roman remains (but not in situ)
the original chalk raft for the Abbey
burial ground for monks including some coffins with head shaped ends for the corpses head.
Shops and workshops in the area that Chaucer and Caxton had house and workshop in.
Building levels from Henry III through to Gilbert Scott.

The archaeological team cleared out all the dust of years that had accumulated in the gallery.  It included thousands of fragments of medieval painted window glass,  sherds, tobacco pipes, tiles, bricks, moulded stones. Amongst the many pieces of paper found was the wrapping for a 17th Century  tobacco pouch; and invites and seating plans for Queen Anne's coronation.

Well worth a visit (if you can afford it -currently £20 to get in and another £6 to see the Triforium.)






Labels: archaeology, medieval, roman, westminster

posted by Kevin Flude at 2:27 pm 0 comments

Sunday, January 27, 2019

I am Ashurbanipil Exhibition at the BM

The British Museum has a host of wonderful relief carvings collected from Assyria in the 19th and 20th Century.  They are free to see, easy to get to on the ground floor, can be enjoyed without much insider knowledge, and nor is it necessary to spend long reading labels. Now the Museum has put some of them together with a whole load of objects from the store. The net result is a very satisfying exhibition which gives a pretty good background to the enjoyment of the reliefs.
The carvings are amazing, and look very good with the black backgrounds and relief lighting.
 


These two, are larg scale sphinx to the left and to the right the head of a diety half animal half human.

Ashurbanipil was also something of a star student, and is, in one notable relief, depicted with a pen in his waistband.  (picture to the right).  Archaeologists have found shelves and hundreds of clay tablets showing that the King had a large library.    The displays suggest that the library was mostly to help the king with spells, and prophecies which, is a little disappointing.  It would be interesting, though, to have more details of the library. The King did not seem to believe in humility as the inscriptions keep telling us how good he is at learning, prophecy, hunting lions, shooting arrows etc.

 

 This is a display of the clay cuneiform tablets. And a close up below.




 The picture below shows that they also used wax tablets like the Romans.








And this one shows the origins of double entry book keeping. These people shown below are keeping a list of booty collected in war. The accountants are always shown in pairs, one bearded and the other clean-shaven.  The panels suggests one writes on a board and the other on parchment and in different languages.  I wonder if the clean shaven ones are Eunuchs?











d
 





Labels: archaeology, British Museum, museums, narrative environments

posted by Kevin Flude at 9:11 pm 0 comments

Thursday, January 24, 2019

the possibility of unperceived existence, hyperobject and object orientated ontology

A  morning trying to update myself. Timothy Morton's book Hyperobjects being the subject.  What I like about it is a philosophy that makes the world not homocentric, one in which things have their own reality, and where we are not at the centre of everything.   The philosophy is called  Object Orientated Ontology (OOO).

In a way it seems another moment in time like Corpernicus's discovery that the Sun does not go around the Earth.  Now OOO allows us to ignore philosophers who tell us things can only be known by the senses and therefore their existence depends on our cognition.

If a tree falls in a forest and no one is around to hear it, does it make a sound?

Of course it does.  But, I coming from the no nonsense school of philosophy,  have always believed in the 'the possibility of unperceived existence' and have objected to the subjectivists. So thanks to the OOO for bringing this back into reality.

Now Morton  has used OOO to attack the eco movement for putting Nature on a pedastal for us to admire, rather it being part of a mesh of existence upon which we all exist as equals.  I see an echo here in biodynamism who not only want to farm organically for our health but what to farm well for the good of the patch of land they farm in its own right.  Not to increase yields, not to help us, but because that patch of land has its own existence and rights.

As to Hyperobjects - hmmmm.  the definition is baffling and its hard to understand what they are and more importantly what they are not.  So they don't really have any existence.  Maybe just a way of looking at things?





Labels: narrative environments

posted by Kevin Flude at 11:22 am 0 comments

Tuesday, January 22, 2019

List of English Words and their Latin Alternatives

So if you judge someone you are doing this in Anglo-Norman derived from Latin, in English you deem or doom.  A judge is a deempster.  If you are called to the Bar,  made into a Barrister and facing trial in a Court these are all anglo norman words from Latin.


In English Jesus was crutched or crossed in Latin Cruxified.

A roman officer controling nearly 100 people is called a centurion. In English he would be a hundreder.

A lot of decisions were made in the lead up to the King James bible where a lot of decisions went the latin way.


https://en.wikipedia.org/wiki/List_of_Germanic_and_Latinate_equivalents_in_English


Labels: history

posted by Kevin Flude at 4:39 pm 0 comments

Monday, January 21, 2019

Good piece on the 18th Century LGBT community

https://londonist.com/london/history/18th-century-queer-london?utm_source=Today%27s+posts+from+Londonist&utm_campaign=7ca5d986e9-EMAIL_CAMPAIGN_2019_01_21_04_00&utm_medium=email&utm_term=0_acfd22879f-7ca5d986e9-219853617

Labels: georgian, london

posted by Kevin Flude at 4:09 pm 0 comments

Saturday, December 29, 2018

Judy Garland in Chelsea

She got married in Chelsea Registry Office and died in a Mews House at 4 Cadogen Lane, just north of Sloane Square.

http://www.nickelinthemachine.com/2009/12/the-marriage-and-death-of-judy-garland-chelsea-1969/

Labels: 20th Century, swinging sixties, twentieth century

posted by Kevin Flude at 10:08 am 0 comments

Friday, December 21, 2018

What does Dickens' Christmas hide?

This is an excellent Guardian article comparing Dickens frantically hearty Christmas ideal with the reality of his less than enthusiatic embracing of family life.

https://www.theguardian.com/books/2018/dec/20/bleak-house-the-dark-truth-behind-charles-dickens-christmas-obsession?utm_term=RWRpdG9yaWFsX0d1YXJkaWFuVG9kYXlVS19XZWVrZGF5cy0xODEyMjE%3D&utm_source=esp&utm_medium=Email&utm_campaign=GuardianTodayUK&CMP=GTUK_email

It is a review of an Exhibition at the Charles Dickens Museum • Food Glorious Food: Dinner with Dickens, curated by Pen Vogler, is at the Charles Dickens Museum, London WC1N, until 22 April. 

how does grammerly work ? forr 

Labels: 19th Century, Charles Dickens, Victorian

posted by Kevin Flude at 9:33 am 0 comments

Wednesday, December 19, 2018

This is the place' about Manchester by Tony Walsh

Great belief, great expression of the love of place.

https://www.youtube.com/watch?v=BmSKF5hdIpw

and the words

https://speakola.com/eulogy/tony-walsh-this-is-the-place-manchester-vigil-2017

Labels: narrative environments

posted by Kevin Flude at 11:23 am 0 comments

Saturday, November 24, 2018

Smithfield Pub Tour

This is an excellent comparison of pubs now and in 1973 with a little bit of history

https://darkestlondon.com/tag/old-red-cow/

Labels: 19th Century, london

posted by Kevin Flude at 4:46 pm 0 comments

Wednesday, October 31, 2018

Living with The Gods Exhibition - British Museum

I found this exciting at the beginning and disappointing by the end.  It begins with a communion with a 40,000 sculpted piece of walrus ivory.  Lion-man of the Hohlenstein-Stadel.  The oldest figurative art.  Its amazing and may equally be female.  But around the wall of the dark space are words and phrase s that suggest the exhibition is really going to explore the meaning of spirituality.  And I was ready for it having just been reading Mary Beard on the Parthenon in which she has a small section where she hints at the complexity of polytheism.  So in the dark space beyond the Lion-Man you read the words: Thinking, Making, Symbolism, Worlds beyond Nature.  'Tranfering thoughts into objects'.  'Turn everyday experiences of being into worlds beyond nature'  And this is what religion is something to reshape the ordinary into the sublime, or the complex into a story, of the scary into the sphere of the Gods. 

But the Exhibition didn't deliver it just became tokenism as so many exhibitions do.



posted by Kevin Flude at 8:27 pm 0 comments

Tuesday, October 16, 2018

Towards a "molecular archaeoparasitological" map of Europe

Interesting new technology which may provide new sources of information about connections in Medieval Europse.

https://www.eurekalert.org/pub_releases/2018-10/uoo-pfm101518.php

Labels: archaeology

posted by Kevin Flude at 8:47 am 0 comments

Tuesday, October 09, 2018

Marie Antoinette's breast cup

Interesting story about a cup being modelled on Marie Antoinette's breast.

http://www.hanleywoodtexas.com/ancienne-manufacture-royale-marieantoinette-jatte-teton-footed-bowl-pieces-p-38636.html


Labels: french, history

posted by Kevin Flude at 9:03 am 0 comments

Tuesday, September 11, 2018

Pyschodelic pyschogeography - an interview with me

https://storiesinspaces.wordpress.com/2018/09/05/entry-1/

Labels: archaeology, london, narrative environments

posted by Kevin Flude at 4:34 pm 0 comments

Monday, August 27, 2018

Marble Hill house and Alexander Pope's part in it

New discovery!

https://www.theguardian.com/lifeandstyle/2018/aug/26/poet-alexander-pope-designed-londons-marble-hill-garden-says-historian?CMP=Share_AndroidApp_Gmail

Labels: georgian

posted by Kevin Flude at 6:11 pm 0 comments

Monday, August 06, 2018

The Rivers of Westminster and Vauxhall

This web site gives an insight into geoarchaeological research on the river Tyburn and Tachbrook.


http://molarchaeology.maps.arcgis.com/apps/Cascade/index.html?appid=6b00daa1acac4df7a2fcde06104bac1a

posted by Kevin Flude at 10:01 am 0 comments

Tuesday, July 17, 2018

Goodbye Eve. New light on Human Origins in Africa

So good bye to a single African Eve. Chris Singer and a host of other authors in their article: 

Did Our Species Evolve in Subdivided Populations across Africa, and Why Does It Matter?

suggest that Homo Sapiens developed all over African in multiple communities, not in a single region.

 See the paper here:

Authors:

Eleanor M.L. Scerri'Correspondence information about the author Eleanor M.L. ScerriEmail the author Eleanor M.L. Scerri
,
Mark G. Thomas
,
Andrea Manica
,
Philipp Gunz
,
Jay T. Stock
,
Chris Stringer
,
Matt Grove
,
Huw S. Groucutt
,
Axel Timmermann
,
G. Philip Rightmire
,
Francesco d’Errico
,
Christian A. Tryon
,
Nick A. Drake
,
Alison S. Brooks
,
Robin W. Dennell
,
Richard Durbin
,
Brenna M. Henn
,
Julia Lee-Thorp
,
Peter deMenocal
,
Michael D. Petraglia
,
Jessica C. Thompson
,
Aylwyn Scally
, Lounès Chikhi

https://www.cell.com/trends/ecology-evolution/fulltext/S0169-5347(18)30117-4

Labels: archaeology

posted by Kevin Flude at 6:15 pm 0 comments

Wednesday, June 27, 2018

A great personalised Guided Tour

Not sure I will ever be able to do a guided walk as good as this.


https://www.youtube.com/watch?v=QjvzCTqkBDQ

Labels: beatles 20th Century

posted by Kevin Flude at 10:22 pm 0 comments

London 1944 archive film

This is a film about the Abercrombie Plan of 1944 which was to transform London from an unplanned mess to a machine that worked rationally for its inhabitants providing space, light and separation of factories from living spaces.

Fascinating.


https://www.youtube.com/watch?v=P8X5bEFvFJQ

Labels: london 20th Century

posted by Kevin Flude at 9:34 pm 0 comments

London Bridge Revealed - Medicine

I gave a walk for the London Festival of Archiecture on Medicine - good turn out and it went well.

 I tried to give a medical, architectural, historical and to add in various ideas of health and well-being.


London Bridge Revealed – Medicine (Guided Walk)

During June the Museum of Walking will lead an eclectic series of walks focusing on some of the key characteristics that make up London Bridge’s past, present and future: its riverside, railway and greenery, and its unique heritage medical and leisure heritage.
Both the provision and education associated with Guy’s Hospital and Kings College has a huge legacy in the area, and has attracted private hospitals as well. Not only is the Guy’s tower a significant landmark (purportedly the highest hospital building in the world both at the time of its construction in the 1970s and in the present day), but as one of the largest employers, holds the key to many personal and collective memories.
Join for a guided walk in the company of Kevin Flude, former director of the Old Operating Theatre Museum (in St Thomas’ St) who will slice the area with the accuracy of a surgeon’s knife, revealing how the area retains its position at the heart of modern medicine and public health.
The walk is free of charge, but we ask that you book a place through the link provided. The exact meeting point will be announced here before the walk.

https://www.londonfestivalofarchitecture.org/event/__trashed-314-4-2/

Labels: 19th Century, guided walks, london, medical history

posted by Kevin Flude at 8:36 am 0 comments

Friday, June 01, 2018

Julius Caesar - Soc. of Antiquities Public Lecture "Julius Caesar in Britain" by Andrew Fitzpatrick FSA.

An up date on what we know of Caesar's invasion

https://www.youtube.com/watch?v=PfFTM5_WcOE&t=20s&utm_source=Salon+Subscribers&utm_campaign=dda885a268-EMAIL_CAMPAIGN_2018_04_10&utm_medium=email&utm_term=0_c0cb6b55f1-dda885a268-40167989

Labels: archaeology, roman

posted by Kevin Flude at 10:51 am 0 comments

Tuesday, May 08, 2018

Basement Mania in London

Very good article on the subject of digging deep basements in the Guardian.

https://www.theguardian.com/money/2018/may/07/going-underground-the-subterranean-secrets-of-londons-super-rich?utm_source=esp&utm_medium=Email&utm_campaign=GU+Today+main+NEW+H+categories&utm_term=274068&subid=2272382&CMP=EMCNEWEML6619I2


Labels: london

posted by Kevin Flude at 9:29 am 0 comments

Tuesday, May 01, 2018

Roman Era names

This is a simple web site that has a fairly comprehensive list of Roman era names in a list - gives you the meaning and origin of each name.


http://www.romaneranames.uk/

Labels: archaeology, roman

posted by Kevin Flude at 1:51 pm 0 comments

Friday, April 27, 2018

Virtual St Stephens Project

Here are some 3D visualisations of St Stephens Chapel, home of the House of Commons, Westminster.

https://www.virtualststephens.org.uk/explore

Labels: london, parliament, westminster

posted by Kevin Flude at 2:50 pm 0 comments

Wednesday, April 11, 2018

Victorian London Alphabet

This is a lovely Victorian Alphabet illustrated with London sights.


http://spitalfieldslife.com/2018/04/09/the-london-alphabet-x/


Labels: london, Victorian

posted by Kevin Flude at 3:19 pm 0 comments

Monday, April 09, 2018

London's smallest police station isn't.

London's smallest police station isn't.

Interesting story


https://www.ianvisits.co.uk/blog/2018/04/08/london-smallest-police-station-in-trafalgar-square-isnt-what-its-claimed-to-be/

Labels: 19th Century, london Sixties

posted by Kevin Flude at 9:34 pm 0 comments

Tuesday, April 03, 2018

20 great films based in London

Here is Time Outs List

https://www.timeout.com/london/film/the-30-best-london-movies


Labels: films, london

posted by Kevin Flude at 11:16 am 0 comments

Saturday, March 31, 2018

' Tonite let's male Love in London' 60s documentary

https://vimeo.com/111691128

Labels: london Sixties

posted by Kevin Flude at 4:45 pm 0 comments

Thursday, March 29, 2018

Radical Walking and other pyschogeographic activiites

Triarchy Press has a set of authors who are developing the idea of walking as a radical art form.

To find out more, follow this link:

https://www.triarchypress.net/walking.html

Labels: guided walks, narrative environments

posted by Kevin Flude at 11:10 am 0 comments

Wednesday, March 28, 2018

Victorian Buildings in London you did not know about

This is an excellent selection of buildings, most of which , I did not know about but wish I had!



https://londonist.com/london/best-of-london/five-victorian-buildings-you-didn-t-know-about?utm_source=Today%27s+posts+from+Londonist&utm_campaign=f988096749-EMAIL_CAMPAIGN_2018_03_27&utm_medium=email&utm_term=0_acfd22879f-f988096749-219853617

Labels: 19th Century, architecture, london, Victorian

posted by Kevin Flude at 10:06 am 0 comments

Mary Ward House

Great bit of Arts and Crafts Architecture in Tavistock Place

https://www.theguardian.com/commentisfree/2018/mar/27/gun-debate-culture-war-young-people-will-win?utm_source=esp&utm_medium=Email&utm_campaign=GU+Today+main+NEW+H+categories&utm_term=269200&subid=1563368&CMP=EMCNEWEML6619I2

Labels: london, Victorian

posted by Kevin Flude at 9:58 am 0 comments

Monday, March 26, 2018

Beautiful Brutalism in Camden

This is one of the great estates in London.

Its said to be one of the largest listed buildings in Britain. the Alexandra And Ainsworth Estate and is by the great Neave Brown of Camden Council's Architects Department 1968.


http://londonist.com/london/videos/alexandra-and-ainsworth-estate?rel=handpicked

Labels: london, twentieth century

posted by Kevin Flude at 10:10 am 0 comments

Sunday, March 25, 2018

How many coffee houses in 18th Century London?

I seem to remember they numbered in thousands but initial searches suggest 500. But I came across this web site which gives the answer.

https://publicdomainreview.org/2013/08/07/the-lost-world-of-the-london-coffeehouse/

'By the dawn of the eighteenth century, contemporaries were counting between 1,000 and 8,000 coffeehouses in the capital even if a street survey conducted in 1734 (which excluded unlicensed premises) counted only 551. Even so, Europe had never seen anything like it. Protestant Amsterdam, a rival hub of international trade, could only muster 32 coffeehouses by 1700 and the cluster of coffeehouses in St Mark’s Square in Venice were forbidden from seating more than five customers (presumably to stifle the coalescence of public opinion) whereas North’s, in Cheapside, could happily seat 90 people. '

Labels: georgian, london

posted by Kevin Flude at 1:59 pm 0 comments

Wednesday, March 21, 2018

Milk or Tea first?

I have always believed that you put the milk in first because of the risk of cracking your bone china with boiling hot water.  But have just heard what sounds like a definitive answer to the question:

 
BUT if you are wealthy you can afford cups that don't crack under boiling water AND by the time the hot water comes up from downstairs the water is not so boiling so UPSTAIRS you can put the tea in first DOWNSTAIRS you put the milk in first
So which goes in first becomes a measure of class.  Just like everything else in the UK.

Labels: Literary History, medical history

posted by Kevin Flude at 10:35 am 0 comments

Saturday, March 17, 2018

Tudor Map of London 1520

This is another Tudor mapping project. This time it hopes to create a new map fitted to the modern street plan showing the identified parts of Tudor London. And they are printing it!

Here is the link to buy a copy

https://www.amazon.co.uk/Map-Tudor-London-Englands-Historical/dp/0993469833

Here is a link to the project.

http://www.historictownsatlas.org.uk/content/tudor-london-1520




Labels: archaeology, london, tudor

posted by Kevin Flude at 5:21 pm 0 comments

Layers of London Project

This is a project to create an online mapping project for the history of London.

I can't yet see how it is going to work. It has a lot of ambition and very little detail as yet.

Vanessa Harding said the Tudor Map of London project she and Caroling Barron have been working on will link to it.

https://layersoflondon.blogs.sas.ac.uk/

Labels: archaeology, london, tudor

posted by Kevin Flude at 5:16 pm 0 comments

"The Agas Map." and the Map of Early Modern London project

This is one of two really great mapping projects ongoing about Tudor London. 

This one is based at the University of Victoria and is an attempt to populate a digital version of Agas' Early Tudor London Map with information from Stow's 'Survey of London'  and other sources .

I found it very useful for my research for my Cornhill Walk. I also felt sad as I was working reading Stow and looking at hard copies of maps, and then found it all on a plate on this web site.

So it felt like an end of an era.

This is the reference and the link.
 

Jenstad, Janelle. The Agas Map. The Map of Early Modern London. Ed. Janelle Jenstad. Victoria: University of Victoria. Web. 01 March, 2018. <http://mapoflondon.uvic.ca/map.htm>.

Labels: archaeology, london, tudor

posted by Kevin Flude at 4:57 pm 0 comments

Thursday, March 15, 2018

Refugium

 Refugium

This is one of my students' projects which is about the issue surrounding being a Refugee.

It is running on 18th March if you wish to attend.

https://docs.google.com/forms/d/e/1FAIpQLSeQsy-fTQoOshwa5HVVW60FS_BYhudaPdYHzspnpgtZFsATOw/viewform





posted by Kevin Flude at 5:18 pm 0 comments

Friday, March 09, 2018

Cornhill Ward Walk

The next in my series of Ward Walks of the City of London, I am doing Cornhill Ward. 

We will look at the archaeology and history of the Ward from the earliest times to the present day.

10th March 18 Cornhill Ward of the City of London
2.30 Bank Tube. Exit 3

Labels: archaeology, guided walks, london

posted by Kevin Flude at 5:04 pm 0 comments

Tuesday, March 06, 2018

Ancient DNA Revolution

We are witnessing a revolution in ancient DNA. The first results came from inference from modern DNA and seem to have given results which are somewhat dubious. But recently changes in cost and technology has built up a new and expanding database of Ancient DNA which is shaking prehistory.

This article gives a good summary.

https://phys.org/news/2018-02-ancient-dna-tales-humans-migrant.html#jCp

One result is that the Beaker folk have been restored to a genuine folk movement after a couple of decades of PC cultural diffusion of a pottery style. But more than that the Beakers Folk are not only an intrusion from abroad But they replaced 90% of the Neolithic genome. The mechanism by which this happened is not yet established. 

So the great Henge projects were created by the first farmers who were largely descended from the Hunter-Gatherers.  Around 2,400 B.C. the beaker folk came over. This was after the Sarsen phase of Stonehenge.  They seem to have adopted neolithic use of henges but not the desire or ability to build huge new ones.

The DNA report is published here:

https://www.nature.com/articles/nature25738.epdf?referrer_access_token=VWOWCyPVVXLk4xPfgQahc9RgN0jAjWel9jnR3ZoTv0MvCgRpafo1l7XRALArFgCO6vOi1SAh6jgQaefsnzZX1pGLIas5jRPHdWo7nCUK_NDOU3EOuvXbOrokXtSkYpMwwyPp1RX8x9L3YKpE-avBD7y8BMXJGkh-s2PAa-PuH7cIWtx6FXGfFnry1J9SOi7RD1_Z0pibAnYRUIYfq10aZna5ImBOjjsywu8l14vdp0I%3D&tracking_referrer=www.bbc.co.uk

Salon IFA 402 wrote:

'Ancient DNA Continues to Revolutionise the Past




Around 4,500 years ago migrants entered Britain from the European continent, probably travelling from the coasts of France, Belgium or Germany, and initiated a substantial population replacement. The impact is still felt today, with only 10% of the preceding Neolithic genome remaining. The copper age in the UK truly marked the beginning of a new era.

We knew this from a Harvard University research paper published online last year ahead of peer review (‘Pots on the March’, Salon 388). Nature published the article on 21 February, allowing its authors to talk to the press. Among those who did was Mike Parker Pearson FSA (UCL). He told BBC News that the Neolithic British community had monument building ‘absolutely as its core rationale’, while the incoming makers of Beaker pottery were ‘not prepared to collaborate on enormous labour-mobilising projects; their society [was] more de-centralised.’

The context for this is Stonehenge, where our current dating suggests the main structure was built at the very end of the neolithic and shortly before the arrival of Beaker migrants – though smaller megaliths continued to be re-arranged during the Beaker era. There was no ‘violent invasion’, however. The Beaker people, said Parker Pearson, were ‘moving in very small groups or individually’. Steven Shennan FSA (also UCL) noted that ‘around 2500 BC the population [in Britain] is very low and that's precisely when the Beaker population seems to come in.’

In a press release from the University of Cambridge, Christopher Evans FSA (Executive Director of the Cambridge Archaeological Unit) said, ‘this study has been a tremendous project to be involved with. The results are truly ground-breaking and suggest that, with the influx of Continental communities, Britain’s prehistoric story needs to be rewritten in a much more dynamic manner.’ ‘Different teams had different key samples,’ said co-senior author Kristian Kristiansen FSA (University of Gothenburg), ‘and we decided to put together our resources to make possible a study that was more definitive than any of us could have achieved alone.’ The Cambridge Archaeological Unit has supplied many further samples for another Harvard study, of a thousand British Iron Age individuals.'



Labels: archaeology, prehistory

posted by Kevin Flude at 10:37 am 0 comments

Tuesday, February 27, 2018

Good article on Spitalfields by the Gentle Author


http://spitalfieldslife.com/2018/02/26/down-a-well-in-spitalfields/

Labels: archaeology, london

posted by Kevin Flude at 12:41 pm 0 comments

Wednesday, February 21, 2018

Daily Mash woman-in-art-gallery-just-guessing-how-long-to-stand-in-front-of-each-painting-

Satire on difficult issues for Museum visitors.

http://www.thedailymash.co.uk/news/arts-entertainment/woman-in-art-gallery-just-guessing-how-long-to-stand-in-front-of-each-painting-20170311123869

Labels: art history, museums, narrative environments

posted by Kevin Flude at 2:33 pm 0 comments

Tuesday, February 20, 2018

The First Britain

The obviously interesting aspect of this is that he is dark skinned. But the piece below indicates what I think is a major change in perception of our origins.  Early DNA studies suggested that most Britains were descended from peoples coming here after the ice melted c 14,0000 years ago.  It was suggested that 90% (in the west) and 75% (in the East)~ were descended from the Basque area refuge.
This threw doubt on the scale of Saxon migration and made the division of peoples on these islands into Celts and Britains a cultural not a genetic indentity.  
 
However, this piece talks about  Cheddar man being part of the Western Hunter Gatherer Group and it then reports a recent  'study released last year also in preliminary form claimed that around 4500 years ago, the time Stonehenge was built, the then indigenous UK genome was all but displaced by migrants from the Continent who made Beaker-style pottery (see Pots on the March, Salon 388). The 10% of WHG DNA seen in modern white Britons could be derived from these Beaker people. They would have picked it up from intermixing with Neolithic Continental populations with a proportion of WHG in their genome.'
 
Thus - we - the British have been continously in these islands not for 14,000 years but 6,500 at most.  Big big changes. I for one am finding the contradictory results from DNA very confusing, and I feel  that the shaft of light that DNA seemed to throw on archaeology was a chimera. Am I right?

 
 
 
This is from Salon IFA 

Salon: Issue 401
20 February 2018

 

 Begin Quotation

 

 

Britain's First Hunter-gatherer Genomes Sequenced


This is the face of Cheddar Man, a modern human buried in a cave near the Somerset village 10,000 years ago, as reconstructed by Dutch brothers Alfons and Adrie Kennis. The model comes from the most recent of a series of projects led by Chris Stringer FSA at the Natural History Museum, in which scientists have been analysing late glacial remains from Cheddar Gorge recovered since the 19th century, including some from new excavation. Cheddar Man, a very rare near complete skeleton of its age, was found in Gough’s Cave in 1903.

The shape of the head and facial details were determined by features of the skull, but skin (dark or dark to black), hair (dark brown possibly black) and eye colour (blue/green) were suggested by elements of the man’s DNA. His whole genome has been sequenced, from a small amount of bone taken from the skull. It was read by Ian Barnes and Selina Brace at the Natural History Museum (NHM), and analysed by Mark Thomas and Yoan Diekmann at UCL Genetics, Evolution and Environment.

This is the first time the colour of Cheddar Man’s skin has been shown to be dark. Public interest was strong, helped by promotion for a Channel 4 film broadcast on 18 February (First Brit: Secrets of the 10,000 Year Old Man). That people in Britain at this time were likely to have been dark-skinned, however, had already been known by scientists.

Cheddar Man’s genetic profile, said Thomas in a release, ‘places him with several other Mesolithic-era Europeans from Spain, Hungary and Luxembourg whose DNA has already been analysed. These “Western hunter-gatherers” [WHG] migrated into Europe at the end of the last ice age, and the group included Cheddar Man’s ancestors’.

Ancient DNA analysis is increasingly showing the history of modern Europeans to have involved several significant genetic changes resulting from migrations and mixing. There are remains of more ancient humans from Gough’s Cave, from whom Cheddar Man was not directly descended, and only around 10% of modern indigenous British ancestry can be linked to the 10,000-year-old skeleton.

The research paper was put online ahead of peer review on 19 February, titled ‘Population replacement in Early Neolithic Britain.’ Authors include Alison Sheridan FSA, Mike Parker Pearson FSA and Chris Stringer. Cheddar Man’s genome represents one of six Mesolithic British individuals, and along with that of 16 new Neolithic and 51 previously published Neolithic British individuals, is used to characterise the Mesolithic and Neolithic populations of Britain. The scientists conclude that the transition to farming at the start of the Neolithic 6,000 years ago was accompanied by incoming continental farmers.

A study released last year also in preliminary form claimed that around 4500 years ago, the time Stonehenge was built, the then indigenous UK genome was all but displaced by migrants from the Continent who made Beaker-style pottery (see Pots on the March, Salon 388). The 10% of WHG DNA seen in modern white Britons could be derived from these Beaker people. They would have picked it up from intermixing with Neolithic Continental populations with a proportion of WHG in their genome.

Stringer, Research Leader in Human Origins at the NHM, first excavated at Gough’s Cave 30 years ago. He said in a release, ‘I first studied Cheddar Man more than 40 years ago, but could never have believed that we would one day have his whole genome – the oldest British one to date!
End Quotation

Labels: archaeology, prehistory

posted by Kevin Flude at 11:22 am 0 comments

Saturday, February 10, 2018

Hay's Wharf and Hay's Gallerie

Excellent article on Hay's Wharf, Southwark.

http://www.exploringsouthwark.co.uk/hays-wharf/4588352949

Labels: archaeology, london, southwark. london

posted by Kevin Flude at 12:32 pm 0 comments

Friday, February 02, 2018

BBC Documentary on Thomas Cromwell

Professor Diarmaid MacCulloch argues the case that Thomas Cromwell was a pioneering statesman who laid the foundations for the modern British state.

https://www.bbc.co.uk/iplayer/episode/b01t03ky/henry-viiis-enforcer-the-rise-and-fall-of-thomas-cromwell?ns_mchannel=email&ns_source=PAN_SOLUS&ns_campaign=PANUK_DIV_04_IPL_Recommends_C+fortnightly&ns_linkname=bbctwo_henry8senforcerthomascromwell_FactualHistory_henry8senforcerthomascromwell&ns_fee=0

Labels: history, london, Tudors

posted by Kevin Flude at 11:09 am 0 comments

Saturday, January 20, 2018

Book review of Quartz and Feldspar. Dartmoor: a British landscape in modern times Planning Perspectives Vol. 0, Iss. 0, 2018

My book review has just been published:

Flude, Kevin Quartz and Feldspar. Dartmoor: a British landscape in modern times
Planning Perspectives Vol. 0, Iss. 0, 2018

Labels: archaeology, history, Literary History

posted by Kevin Flude at 7:25 pm 0 comments

Friday, January 12, 2018

Last 2 people to be executed for sex between men in England


This is a  horrendous taie of the judicial murder of  James_Pratt and John_Smith who were found guilty on the evidence of a landlord and landlady spying their sexual activity through a keyhole.

The Magistrate urged clemency but, although the Privy Council, spared everyone else found guilty of burglary, attempted murder and robbery during that period, the only 2 they executed was Pratt and Smith.


https://en.wikipedia.org/wiki/James_Pratt_and_John_Smith

Labels: history, london

posted by Kevin Flude at 5:33 pm 0 comments

Tuesday, January 09, 2018

Divorced, Beheaded, Died Sales to Date

Book Sales 'Divorced, Beheaded. Died'  100,380 units  to date. 
 
Moral - don't enter into a fixed price contract.

Hardback 50664 copies

Paperback 24986 copies

Ebook 24,703 copies

Audiobook 27 copies
 
Although, I do think the publisher might give the occassional bonus.
 

Labels: history

posted by Kevin Flude at 2:05 pm 0 comments

Monday, January 08, 2018

Wolfhall London. More and Cromwell Tudor London Walk

My next walk for London Walks is this Saturday 13th January 2018 at 10.45.  St Pauls Tube Exit 2

The Walk is a look at London during the Reformation. Its also a companion to Hilary Mantel's Wolf Hall.  We look at the London of the early 16th Century and walks the streets known to both men - both Lord Chancellors to Henry VIII, both commoners, both beheaded, friends but on rival side of the intelectual and political divide.


Here is a short promo video.

https://youtu.be/Jkiza8HOFm4

Labels: london, Reformation, tudor stuart, Wolf Hall Hilary Mantel

posted by Kevin Flude at 11:27 am 0 comments

Wednesday, December 20, 2017

Sex Pistols - the Uxbridge Gig

Johnny Rotten remembers it as a terrible gig in a huge sports hall with an inadequate sound system, and an incapable Sid Vicious in front of a largely uncomprehending audience.

I should have been there but I couldn't be bothered to travel all the way out to Uxbridge on a cold Dec night in 1977. (16th December, Cost £1.75)

Pictures:


https://www.facebook.com/media/set/?set=a.153253181495781.35035.148548651966234&type=3

Description

Labels: history, london

posted by Kevin Flude at 12:12 pm 0 comments

Friday, December 15, 2017

Diffusion Choir art versus nature

Diffusion Choir.
 
This is, what you might call,  atrium art. And it is a beautiful composition which subtly changes mimicing flocking birds.

Beautiful it is but interesting that it is nowhere near as beautiful as flocking birds.

https://www.treehugger.com/culture/diffusion-choir-sculpture-soso-limited-plebian-design-hypersonic.html

Labels: narrative environments

posted by Kevin Flude at 4:44 pm 0 comments

Barging through London

This is a film following a trip along the Regent's Canal in 1924.

Shows Limehouse, Mile End, Whitechapel, Hackney,Camden, Kings Cross.

https://player.bfi.org.uk/free/film/watch-barging-through-london-1924-online

Labels: london

posted by Kevin Flude at 10:22 am 0 comments

Wednesday, December 13, 2017

The Arts for Health and Wellbeing

This is a useful Parliamentary Report

It includes links to download the full report; a summary report and videos.

http://www.artshealthandwellbeing.org.uk/appg-inquiry/


Labels: narrative environments

posted by Kevin Flude at 9:46 am 0 comments

Sunday, December 10, 2017

Is this the meaning of London

There are some people who think German was spoken in Eastern Britain before the Romans. For them the meaning of the words Thames and London given by modern linquists are wrong.

Thames - Dark River
London - indo-european for Plowonida (Richard Coates - meaning settlement by the Dark or flowing river)

These should be replaced by  (according to:  http://www.proto-english.org/l10.html) 

Thames:
'Etymology of Thames: 'aT (the) ames' = 'inhabited place where the estuary begins'. The Romans wrote: Tamisa or Tamesa. [4] The river would later (before the Romans came!) be named similar to 'the London river' as 'the Thames river'.  '

They make the point that the name originates as reference to the land and then gets transferred to the River.

London
'Landen, if one accepts that the place-name was originally proto-English. 'Land-en' (aphonic 'e') is an ancient English, but still used in Dutch, plural for 'land'.

'Land' meant originally: an open space to build a home upon, the farmhouse with its surrounding grounds.'

Labels: archaeology, london

posted by Kevin Flude at 10:54 am 0 comments

Did Beaker Fold replace the Neolithic population

The claim is that the British Neolithic population are 90% replaced by Bell Beaker people in the Bronze Age.  Can't quite see how such a genocide can have taken place at this period in history, but maybe its more of a statistical replacement rather than with death and horror?

You can download the paper or read the abstract here.

https://www.biorxiv.org/content/early/2017/05/09/135962

Labels: archaeology

posted by Kevin Flude at 10:23 am 0 comments

Tuesday, December 05, 2017

The Wooden Roads of London

This is a great article about the surfaces of London Roads.  It focuses on the use of wooden setts in the 19th Century.

They can still be seen in Islington and Farringdon.

https://www.ianvisits.co.uk/blog/2015/01/10/the-time-when-londons-streets-were-paved-with-wood/

Labels: london, Victorian

posted by Kevin Flude at 12:16 pm 0 comments

Monday, December 04, 2017

The City still pays rent to the Queen

In October there is a ceremony where the City pays its rent to the Queen.

The rent consists of:  an axe, a knife, 6 horseshoes, and 61 nails.

 



https://www.atlasobscura.com/articles/london-is-still-paying-rent-to-the-queen-on-a-property-leased-in-1211

Labels: london

posted by Kevin Flude at 1:15 pm 0 comments

Friday, November 24, 2017

How does it feel to survive Execution?

Well John Half-Hanged Smith survived in 1705  to be revived and pardoned.

This is link includes his memoire of what it was like to be hanged.

http://www.executedtoday.com/2008/12/24/1705-john-half-hanged-smith-half-hanged/

Labels: london

posted by Kevin Flude at 9:42 pm 0 comments

The Swinging Sixties. 'You want to get a f***ing joint, they're coming out of your earholes. You want a cup of tea, you've got no f***ing chance!' Cecil Beaton on the set of Performance

 Performance was largely filmed in Powis Square, near Portobello Road in Notting Hill.  

Some good quotes come from it but my favourits is by Cecil Beaton, fed up on the set of the film,  said  'You want to get a fucking joint, they're coming out of your earholes. You want a cup of tea, you've got no fucking chance!' 

This is an interesting post about Powis Square and Performance.
 
http://www.nickelinthemachine.com/2009/01/donald-cammells-performance-at-powis-square/

Labels: london

posted by Kevin Flude at 11:55 am 0 comments

Thursday, November 23, 2017

This gives images of some of London's leading post-modern buildings - by no means comprehensive but a few of the most notable.

Click here for link

Labels: architecture, london

posted by Kevin Flude at 10:44 am 0 comments

Tuesday, November 21, 2017

Main Wheel Decider for Narrative Environments Lecture





This was a test for the device I used to run my Practice Lecture at Central St Martin#'s M.A. for Narrative Environments Course.  In the event I had more options. It would be good if you could click through to a picture or a web site.

Otherwise an easy to use tool.

Click to make your own at Wheel Decide

Labels: narrative environments

posted by Kevin Flude at 4:24 pm 0 comments

The Canals in Autumn

Smells of Autumn on the Canal



posted by Kevin Flude at 11:07 am 0 comments

Monday, November 20, 2017

Story Shapes in Museum displays

This is a short video by Tim Gardom of an idea I first came across in
Saying it Differently
A handbook for museums
refreshing their display
Alison Grey, Tim Gardom and Catherine Booth


The video is here: 

https://vimeo.com/243303263


The handbook is here https://www.swfed.org.uk/wp-content/uploads/2012/05/Saying-It-Differently.pdf

Labels: museums, narrative environments

posted by Kevin Flude at 12:13 pm 0 comments

Charles Roach Smith

Interesting article on the pioneer archaeologist. 19th Century and worked in London.

http://intarch.ac.uk/journal/issue45/6/5.html

Labels: archaeology, london

posted by Kevin Flude at 11:02 am 0 comments

Friday, November 17, 2017

All Saints Road,Portobello Rd and its history

Everything you want to know about the formation of Girl Band All Saints.

http://www.allsaintsroad.co.uk/our-history/

Labels: london

posted by Kevin Flude at 3:43 pm 0 comments

The True Facts about the Christine Keeler Chair

It wasn't an Arne Jacobson Chair it was a knock-off copy possibly by Heals. And the V&A have it and the famous photo.

Read all about it here.

http://www.vam.ac.uk/content/articles/c/christine-keeler-photograph-a-modern-icon/


Labels: art history, london

posted by Kevin Flude at 12:07 pm 0 comments

Thursday, November 16, 2017

Bloomberg, Walbrook - a review

 My review on facebook.

I walked around the new Bloomberg Building yesterday. I have contradictory thoughts. But what is clear is what an impact it has. Its huge, its restrained, elegant, perhaps timeless and brings out its neighbours. It places you face to face with great architecture by Wren, Koolhaas, Stirling, Lutyens, Dance and so on. It reinstates part of Watling Street. it creates a sense of space. So it many ways it is a magnificent achievement. And by far the best Foster building in the City for a very long time.
But and there are a few buts for me.

 The public space it creates is not great. Yes, it does give it a sense of space around the building but there is no great new public square. just quite nice small spaces. The building lets down Cannon Street. The facade along Cannon Street could have helped make Cannon Street into a better retail street but it is given over to a services entry which is surely very wrong for Cannon Street. But mostly, it is yet another landmark in that great task that the City of London has embarked on - the destruction of the historic City. Yes you can see great pieces of historic landmarks but they sit as islands in a sea of modern architecture. They are isolated, it helps them become icons perhaps, Somehow Bloomberg marks a period, an end to the Victorian and early 20th Century City. It is gone, it is pickled in Bankers and Hedge Fund aspic. Mammon has won

This link described the project.

https://www.bloomberg.com/company/announcements/new-european-hq-unveiled/

Labels: archaeology, architecture, london

posted by Kevin Flude at 2:08 pm 0 comments

 This is an excerpt of an interview with me about the canal at Kings Cross.



https://www.linkedin.com/feed/update/activity:6336844589701431296/?midToken=AQGvXGqxQZn2UA&trk=eml-email_mentions_individual_single_01-hero-11-check_update_cta&trkEmail=eml-email_mentions_individual_single_01-hero-11-check_update_cta-null-mj5ag%7Eja286l4w%7Esv-null-neptune%2Ffeed%2Eupdate&lipi=urn%3Ali%3Apage%3Aemail_email_mentions_individual_single_01%3BYezvU9FyTgSmbtXVvWNJjw%3D%3D

Labels: london, Victorian

posted by Kevin Flude at 12:14 pm 0 comments

Tuesday, November 14, 2017

Evidence of world's earliest winemaking uncovered by archaeologists | Science | The Guardian

This is quite interesting because Georgie has always claimed to be the original wine producing area.





Evidence of world's earliest winemaking uncovered by archaeologists | Science | The Guardian

Labels: archaeology

posted by Kevin Flude at 9:41 am 0 comments

Viennese Modernism 2018 - Be ahead of your time

Interesting web site which is, I assume, advertising Vienna. Short videos on Klimt and Schiele.





Viennese Modernism 2018 - Be ahead of your time

Labels: art history

posted by Kevin Flude at 9:27 am 0 comments

Saturday, November 11, 2017

The Making of the London Mithraeum

A billion pound building by Norman Foster has allowed the rebuilding of the Mithraeum.  It is the 3rd one.  The first was built in the 3rd Century in the Roman Period, the second one in 1954, and that one was then moved back to its original place. So how much is it an original?





The Making of the London Mithraeum - YouTube

here is a second film a bit longer

Labels: archaeology, london, roman

posted by Kevin Flude at 9:36 am 0 comments

Monday, October 30, 2017

National Army Museum Transformation

 I went to see the National Army Museum for the first time since its HLF scheme opened.  I always remember the  building as being in a cramped little space with no sense of place.  The architectural transformation by BDP is a resounding success. It now has a decent frontage on Royal Hospital Street and inside has a rational and open countenance that is a pleasure to inhabit..



The displays are less of a success.  The only section that really works is the 'Soldier' exhibition. It works very well to introduce the experience of being a soldier with a nice mix of object, interactive, quotation and image.  However the Battle section is very disappointing. It really gives neither an interesting insight into the wars Britain has fought, not does it give a view of experience of war in the various periods or the hardware of war. I left this section feeling I had learnt nothing.  I had similar experiences in the Army and Society sections. I think the problem is that the displays compete with the Imperial War Museum so the designers decided to take a different approach.  It feels as if that approach might have worked on paper but in reality nothing emerges from the detail to enlighten.  Its still worth a visit but after a fine start in fails to impress.







BDP architectures national-army-museum/







Plan a visit | National Army Museum

Labels: museums, narrative environments

posted by Kevin Flude at 11:07 am 0 comments

Wednesday, October 25, 2017

Cuseum — Life & Death of QR Codes in Museums

This is a very useful and short summary of the life and death of the QR Code - a method of directing people to extra online content that sounded great but which was never taken up in any significant number.



Also has useful links to other material re digital engagement.



Cuseum — Life & Death of QR Codes in Museums

Labels: museums, narrative environments

posted by Kevin Flude at 10:34 am 0 comments

Thursday, October 19, 2017

Britain's First Museum Catalogue - Musaeum Tradescantianum, or, A collection of ra...

For some reason this is not on display at the new Ashmolean museum Founders Room



Musaeum Tradescantianum, or, A collection of ra...

Labels: museums, narrative environments

posted by Kevin Flude at 10:49 pm 0 comments

Tuesday, October 17, 2017

Ancient Pictures as inspiration for Storyboarding.

As part of the M.A for Narrative Environments at Central St Martins we use storyboards as a technique for developing narrative projects.  Tutors on the course collected examples.  I looked at inspiration from ancient sources.

Bayeaux tapestry
The tapestry moves through time and space with a clear narrative. Different narrative layers are used. Simple conventions make it easier to read – the English for example have moustaches while the Normans have pudding basin hairstyles. Text is limited for example to crucial identification of leading characters. Places are not spelt out though can be identified by those who know by context and form.  The narrative structure is  linear and has beautiful clarity. The top and bottom strips allow additional information often decorative but often individual stories or symbols.
The following shows a scrolling video of the Tapestry:
 https://www.youtube.com/watch?v=08zVsxjVEJY




Charles Duke of Orleans in the Tower
This is a single image but time is shown passing. This is indicated by the simple method of showing Charles in distinctive clothes so you can recognise the multiple occurrences of this person as time passes..
The duke is shown in prison in the Tower writing – is he writing his poetry (this is the frontispiece of his book of poetry) or is he writing a letter to his relatives saying 'Oi! I've been here 20 years while you fail to raise my ransom!' (he was imprisoned for 20 years after being taken prisoner at the Battle of Agincourt while his family raised the enormous ransom).
He is shown looking out of the window for the ransom money to arrive; he is shown greeting the money; He is shown riding out of the Tower to freedom; he is shown boating to freedom to a boat to take him home
https://en.wikipedia.org/wiki/Charles,_Duke_of_Orl%C3%A9ans#/media/File:Towrlndn.JPG

Siege of Lachish British Museum
This is an alabaster relief which provides an extended portrait of a siege of a town in Palestine by King Senacherib of Assyria.   It is like a long camera pan across the battlefield but time passes as you move from left to right seamlessly but you also move geographically from the West to the East. So it doesn't have frames but in a single image the story of the siege is told seamlessly,. 
Here is a youtube illustration of the siege relief
 https://www.youtube.com/watch?v=CcLwoa19kLw




Trajan's Column
Trajan's Column shows a vast scrolling narrative of the invasion of Dacia by Trajan. It is full of detail and is used by Archaeologists to understand Roman military campaigns and methods of colonisation. The relief are quite subtle often using different viewpoints to elucidate information and can be used as a model of using images to tell a story. 
But what makes it interesting is that it would have been very difficult to read despite the fact that the Romans built 2 libraries to the side of it with viewing platforms. Trajan is depicted 58 times (in yellow above); his ashes were buried in a vault on the ground level, and a statue of him on top. So the public could never see all the detail and so the interpretation was that the primary purpose was to glorify the Emperor – the detail was as much to impress as to be read by the public. 
You can see a plaster cast in the Cast Courts of the V&A
This is an interesting article on the Column. http://www.nationalgeographic.com/trajan-column/article.html and you might enjoy this short stop motion animation documentary about building the Column
Building the column








By way of contrast, here is an interesting collection of story boards of iconic film
http://flavorwire.com/349534/awesome-storyboards-from-15-of-your-favorite-films

Labels: archaeology, architecture, narrative environments

posted by Kevin Flude at 10:57 am 0 comments

Kevin Flude

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